Proposal by Ludvig Netré and Markus Wagner.
En 20 meter hög pyramidformad limträkonstruktion placeras på en 70×70 meter stort fundament. Programmets olika delar avgränsas genom att placeras i boxar eller genom en 1,2 meter höjdskillnad. Höjdskillnaden ger en topografi där simbassängerna är nedsänkta i förhållande till resten av markplan.
Tre större boxar definierar interiören. En putsad box för omklädning, personal och café. En andra box för vertikal kommunikation har en reflekterande yta av speglar. Den tredje är en högt svävande träbox som innehåller relaxavdelningen.
Takkonstruktionen är en 1,2 meter hög balkrost i limträ, limträ är ett starkt, tåligt och förnyelsebart naturmaterial. De uppemot 7 meter stora mellanrummen fylls med ETFE-kuddar som är fyllda med en konstant luftmängd. De är extremt lätta, starka, återvinningsbara och kan göras olika transparenta beroende på vädersträck.
De vinklade ytorna i taket samt ETFE-kuddarna och boxarna skapar ett rum där ljudet snabbt bryts i sin bana och goda aukustiska förhållanden kan uppnås. Luften förvärms vintertid i kulvertar längs bassängväggarna. Den stiger uppåt, sugs in vid nock och pressas nedåt genom ett schakt till källaren där det avfuktas och värmeväxlas med ny luft. Vid värmetoppar kan badhusets övre delar öppnas och badhuset kylas genom självdrag.
Det framtida hotellet placeras på tomtens norra del, den föreslagna parkeringsplatsen ersätts då av en parkering i hotellets källarplan. Badhusets placering respekterar det befintliga gatumönstret och söker förstärka Nybrovägens urbanitet. Söder om badhuset förslås en park med kullar av schaktmassor som underlag för generösa gräsytor.
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Posted: April 3rd, 2009
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(To the right, Joel Jouannet is counting votes. Next to him, the winning proposal)
When the snow falls heavily on the streets of Stockholm, turning instantly into grey sticky sleet, it is nice to be able to write about some good things that are happening in the city.
Last wednesday the first round of International Architectural Battle was fought at the School of Architecture and some of us from Svensk Standard were lucky enough to be competing. Organized by Joel Jouannet, as a part of his masters thesis, the concept of the battle is simple yet exciting.
There are four teams, one site/task and one hour to produce a material that will be presented during three minutes, then the audience decide who the winner will be.
The battle was fierce and the audience ecstatic. The hall was filled with all kinds of weird energies and the resulting proposals were visionary to say the least. But what was really interesting was all that happened before the projects were presented and the winner was chosen. The architects usually hidden behind a desk or a computer screen became performers and suddenly architecture was all about joy and happiness. Maybe it was because of the beer or maybe it was because there simply is no time to be boring when you only have an hour to produce(/perform).
In the end activities like this are badly needed in Stockholm and it’s great to be reminded that architecture really is about having fun.
Visit the website at http://internationalarchitecturalbattle.blogspot.com
(Oh, by the way, we won)
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Posted: March 11th, 2009
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Some of the 123 proposals for art in public space (including monument no. 5) are exhibited at Galleri K1 in Kulturhuset, Stockholm. The exhibition will be there until november 23. The competition was held by Eva Bonniers donationsnämnd. Go there if you are in Stockholm in november.
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Posted: November 9th, 2008
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Competition entry for a performing arts center in Taipei.
Margus in collaboration with Visiondivision, www.visiondivision.com 
This is a powerful energy generating machine on the outside with a sensual, organic inside that transcends the visitors from the bustling city to a serene world of the performing arts. 
One of the positive aspects of raising the building is that it creates a generous public space around it. The square slopes gently towards the entrance, surrounded by pearls, the visitors descends fadingly into the building like entering an ocean.
A great spiral of pearls is the main focal point of the entrance hall, you can either take the elevator through it or the ramp around it, by foot or with the VIP Train of pearls, taking you all the way into the Grand Theatre.
The Grand theatre is embedded in pearls, creating a elegant and modern experience for the audience. The semi-transparent pearls are lit from behind and dim the light, creating a glowing sensation. Depending on the performance, the ambience can be set into different modes.A chandelier of pearls in the middle of the theatre drops seamlessly from the roof like a jewel, radiating an ambient light. The VIP Train is now converted into comfortable seats. 
Reaching the roof terrace, the pearls subsides into clouds. Walking around among the clouds one can experience panorama views of Taipei. 
The building performs on its own for the city, generating culture, urban life and pure sustainable energy for its vicinity. This is all strongly manifested from the visual effect of its rotating facade. 
The façade is covered with curved blades attached on segments that rotate with the wind, generating energy to the building and to the city. 
Site plan. 
Flow diagram .
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Posted: October 27th, 2008
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